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 Post subject: Little bits that make the song
PostPosted: Sun Feb 26, 2006 10:24 pm 
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From the Riot Act thread:

corduroy_blazer wrote:
stuzzo wrote:
Blind Melvana wrote:
Has anyone else noticed the odd noises and small, effects drenched parts hidden way in the background on this album? I think if they had been a little braver, this could've been a pretty experimental album for them.


Help, Help is full of them. :luv:


as is arc. you are, bushleaguer are weird, too.


Since we have so much live stuff to play with, the little bits of production on the album often get overlooked, as does some of the layering that comes with playing a song in the studio. What other parts of songs really stand out for you? Some ideas to get started:

Jeff brings the bass in, All Those Yesterdays, In Hiding
The bridge in Other Side
The Neil Young solo on I Got Shit
12341234!
The piano in Low Light
After the solo in Nothing As It Seems, where it's just Stone playing
Stone's 'Can't find a betterman'
The phaser on Mike's guitar in Present Tense
Ed's harmony vocals on Education and Garden

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PostPosted: Sun Feb 26, 2006 10:31 pm 
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The wind sound in Given To Fly.

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PostPosted: Sun Feb 26, 2006 10:32 pm 
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MylipsRshaking wrote:
The wind sound in Given To Fly.


Goooooooooooooood choice 8)

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 Post subject:
PostPosted: Sun Feb 26, 2006 10:32 pm 
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stuzzo wrote:
MylipsRshaking wrote:
The wind sound in Given To Fly.


Goooooooooooooood choice 8)


I know I love it. Probably is my favorite. :D

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 Post subject: Re: Little bits that make the song
PostPosted: Sun Feb 26, 2006 10:36 pm 
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stuzzo wrote:
The piano in Low Light

This is the best part of the song. I would love for them to maybe try it during an acoustic show or something.

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PostPosted: Sun Feb 26, 2006 10:37 pm 
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the dog in rival.

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PostPosted: Sun Feb 26, 2006 10:39 pm 
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Feedback in Given To Fly.
"A human being that was given *paweeeeek* to fly!"

And weird guitar noise after 4.09 in In Hiding. It sounds *k-kwong*ish.

Those are the greatest sounds I know.

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PostPosted: Sun Feb 26, 2006 10:41 pm 
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the waves in wishlist

the feedback at the beginning of betterman

the reverse noise before nothingman

the gunshot before push me pull me

piano in lowlight makes that song - live with no piano and jeffs vocals it is nothing

the muppet like bananmanamannow Can't stop intro

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 Post subject:
PostPosted: Sun Feb 26, 2006 10:42 pm 
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It makes me happy to see so many people digging Yield's production 8)

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 Post subject:
PostPosted: Sun Feb 26, 2006 10:44 pm 
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shampo41 wrote:
Feedback in Given To Fly.
"A human being that was given *paweeeeek* to fly!"

And weird guitar noise after 4.09 in In Hiding. It sounds *k-kwong*ish.

Those are the greatest sounds I know.


I really like this thread topic. In My Tree is full of these little nuggets, Mike's guitar outro as the song closes. Also, going right into the last chorus, there's a little guitar feedback that takes the song to it's peak. Unbelievable song in so many ways, and I didn't even mention Jack's drumming heroics. A masterpiece.


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PostPosted: Sun Feb 26, 2006 10:48 pm 
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Whenever the guitar drifts off in Light Years

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PostPosted: Sun Feb 26, 2006 10:50 pm 
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Who You Are is a song that really does it for me. So many neat parts hidden low in the mix, especially the sitar and electric piano. I also love the feedback in the Immortality intro. For some reason it just breaks my heart. God.

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PostPosted: Sun Feb 26, 2006 11:12 pm 
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The Violin/Cello (?) on "Parting Ways" - I think it was done by Matt's wife.

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PostPosted: Sun Feb 26, 2006 11:57 pm 
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the law wrote:
the waves in wishlist


"times one, mighty fine." or whatver is said right before Red Mosquito.

The drum sticks being thrown at the end of RVM.

Ed says "solo," barely audible on Down.


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PostPosted: Mon Feb 27, 2006 1:38 am 
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great thread :thumbsup:

the bassline in tremor christ

the way eddie sings the last "wherever we might goooo" in light years..gives me chills every time

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PostPosted: Mon Feb 27, 2006 1:42 am 
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th end of brain of j,,,,effect

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PostPosted: Mon Feb 27, 2006 1:43 am 
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rockfan wrote:
th end of brain of j,,,,effect


I love that... especially how it links it with Faithfull. A bit like Can't Keep running into Save You

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PostPosted: Mon Feb 27, 2006 1:47 am 
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The coda of Thumbing My Way where Matt speeds up the percussion. To me it makes me feel like the narrator was just baring his soul to the listener, but when he's done it's just back to the hitchhiking.

I can't believe not a soul has mentioned all the small things in Push Me, Pull Me. The sound effects are part of what make that song great.

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 Post subject:
PostPosted: Mon Feb 27, 2006 2:01 am 
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after the second verse of immortality, ed holds off on saying immortality before the solo and says it after the big climax

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PostPosted: Mon Feb 27, 2006 2:59 am 
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Dead Man & WMA

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