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 Post subject: the outro solo on "MFC"
PostPosted: Tue Nov 08, 2005 11:17 pm 
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the solo sounds too clean to actually be one, but it almost sounds to me like they recorded a reversed guitar track there in the studio. (which is a big fucking deal to me, as reversed guitars are one of my favorite studio sounds in the entire history of music. right up there with nigel godrich production blip sounds.)

i haven't listened to pj in forever, i pop in yield and hear this little tidbit that i've almost certainly never noticed before. that's what saturating yourself with tons of music and coming back to an old favorite again will do to you, folks.


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PostPosted: Tue Nov 08, 2005 11:19 pm 
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I really love that effect.


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PostPosted: Tue Nov 08, 2005 11:25 pm 
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tommymctom wrote:
I really love that effect.


what is it, actually? as in, if i wanted to go buy that pedal later on when my bank account recovers from a post hurricane rita plummet, what would i ask for at the guitar store?


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PostPosted: Tue Nov 08, 2005 11:28 pm 
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washing machine wrote:
tommymctom wrote:
I really love that effect.


what is it, actually? as in, if i wanted to go buy that pedal later on when my bank account recovers from a post hurricane rita plummet, what would i ask for at the guitar store?


just go in and ask for 'that thing that makes your guitar sound like it's going kinda backwards and stuff'


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PostPosted: Tue Nov 08, 2005 11:33 pm 
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Although I'm not too sure how that solo was played in the studio, you can definately get a similar effect using an ebow, which cost around $70.


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PostPosted: Tue Nov 08, 2005 11:40 pm 
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tommymctom wrote:
washing machine wrote:
tommymctom wrote:
I really love that effect.


what is it, actually? as in, if i wanted to go buy that pedal later on when my bank account recovers from a post hurricane rita plummet, what would i ask for at the guitar store?


just go in and ask for 'that thing that makes your guitar sound like it's going kinda backwards and stuff'


should i wear a beatles t-shirt when i do it?


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 Post subject:
PostPosted: Wed Nov 09, 2005 12:36 am 
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washing machine wrote:
tommymctom wrote:
washing machine wrote:
tommymctom wrote:
I really love that effect.


what is it, actually? as in, if i wanted to go buy that pedal later on when my bank account recovers from a post hurricane rita plummet, what would i ask for at the guitar store?


just go in and ask for 'that thing that makes your guitar sound like it's going kinda backwards and stuff'


should i wear a beatles t-shirt when i do it?


:lol: :lol: :lol: :lol: :lol:


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 Post subject:
PostPosted: Wed Nov 09, 2005 2:19 am 
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The solo in What's the Frequency Kenneth is a backwards solo

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 Post subject:
PostPosted: Wed Nov 09, 2005 2:38 am 
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I had never heard of 'reversed guitar' thing, but I'm learning. Sounds great to me.

Besides, don't you guys think the whole Yield album is full of nice little effects and warm sounds and stuff? I mean, this is not even a question, it's a general truth. Mike's Given to Fly intro, the Wishlist solo, MFC in its entirety, the Lowlight solo.


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 Post subject:
PostPosted: Wed Nov 09, 2005 11:38 am 
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Angus wrote:
I had never heard of 'reversed guitar' thing, but I'm learning. Sounds great to me.

Besides, don't you guys think the whole Yield album is full of nice little effects and warm sounds and stuff? I mean, this is not even a question, it's a general truth. Mike's Given to Fly intro, the Wishlist solo, MFC in its entirety, the Lowlight solo.


Yeah, there's a whole long list of little beautiful details.

Brain Of J has the count-in at the start, and the echo at the end.
Faithfull finishes with the verse, perfectly produced.
No Way has a very cool mix, with the wee slide in.
Given To Fly has the warm intro you mentioned.
Wishlist has the solos plus the outro/chorus/fadeout
Pilate is a very beautiful, underrated song.
MFC, Low Light and In Hiding have beautifully warm tones throughout.
All Those Yesterdays has the bass bit that sounds like a tuba.

Plus there are all number of other little things, but those are what come to mind straight away.

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 Post subject:
PostPosted: Wed Nov 09, 2005 12:04 pm 
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I think you can get a backwards effect by using a delay pedal that has a reverse setting.


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 Post subject: Re: the outro solo on "MFC"
PostPosted: Wed Nov 09, 2005 9:49 pm 
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washing machine wrote:
the solo sounds too clean to actually be one, but it almost sounds to me like they recorded a reversed guitar track there in the studio. (which is a big fucking deal to me, as reversed guitars are one of my favorite studio sounds in the entire history of music. right up there with nigel godrich production blip sounds.)

i haven't listened to pj in forever, i pop in yield and hear this little tidbit that i've almost certainly never noticed before. that's what saturating yourself with tons of music and coming back to an old favorite again will do to you, folks.


it all started with george on "im only sleeping," off the greatest album ever...revolver...classic!!!


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 Post subject:
PostPosted: Thu Nov 10, 2005 12:30 am 
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i must admit i'm not crazy about this song

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 Post subject:
PostPosted: Thu Nov 10, 2005 1:48 am 
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State College MFC is my favourite

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PostPosted: Thu Nov 10, 2005 6:50 am 
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washing machine wrote:
tommymctom wrote:
I really love that effect.


what is it, actually? as in, if i wanted to go buy that pedal later on when my bank account recovers from a post hurricane rita plummet, what would i ask for at the guitar store?


I have a boss digital delay (dd-6) it has a reverse affect. Fucking awesome pedal. Ive easily spent hours at a time experimenting.

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 Post subject:
PostPosted: Wed May 03, 2006 1:42 am 
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guys, the intro to severed hand has it. and possibly inside job. good job, pearl jam.


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 Post subject:
PostPosted: Wed May 03, 2006 1:52 am 
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thegreatdestroyer wrote:
Although I'm not too sure how that solo was played in the studio, you can definately get a similar effect using an ebow, which cost around $70.


I know that in the Single Video Theory DVD Ed is trying to get Stone to use an ebow as he is using one on Wishlist. Stone doesn't seem to like the idea too much, though. Ed reckons the things the shit, but.

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 Post subject:
PostPosted: Wed May 03, 2006 2:03 am 
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stuzzo wrote:
Angus wrote:
I had never heard of 'reversed guitar' thing, but I'm learning. Sounds great to me.

Besides, don't you guys think the whole Yield album is full of nice little effects and warm sounds and stuff? I mean, this is not even a question, it's a general truth. Mike's Given to Fly intro, the Wishlist solo, MFC in its entirety, the Lowlight solo.


Yeah, there's a whole long list of little beautiful details.

Brain Of J has the count-in at the start, and the echo at the end.
Faithfull finishes with the verse, perfectly produced.
No Way has a very cool mix, with the wee slide in.
Given To Fly has the warm intro you mentioned.
Wishlist has the solos plus the outro/chorus/fadeout
Pilate is a very beautiful, underrated song.
MFC, Low Light and In Hiding have beautifully warm tones throughout.
All Those Yesterdays has the bass bit that sounds like a tuba.

Plus there are all number of other little things, but those are what come to mind straight away.


wanna...um...make out?

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They say someone's watching from the calm at the edge
What about us when we're down here in it?
We gotta watch our backs


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 Post subject:
PostPosted: Wed May 03, 2006 3:21 am 
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corduroy_blazer wrote:
stuzzo wrote:
Angus wrote:
I had never heard of 'reversed guitar' thing, but I'm learning. Sounds great to me.

Besides, don't you guys think the whole Yield album is full of nice little effects and warm sounds and stuff? I mean, this is not even a question, it's a general truth. Mike's Given to Fly intro, the Wishlist solo, MFC in its entirety, the Lowlight solo.


Yeah, there's a whole long list of little beautiful details.

Brain Of J has the count-in at the start, and the echo at the end.
Faithfull finishes with the verse, perfectly produced.
No Way has a very cool mix, with the wee slide in.
Given To Fly has the warm intro you mentioned.
Wishlist has the solos plus the outro/chorus/fadeout
Pilate is a very beautiful, underrated song.
MFC, Low Light and In Hiding have beautifully warm tones throughout.
All Those Yesterdays has the bass bit that sounds like a tuba.

Plus there are all number of other little things, but those are what come to mind straight away.


wanna...um...make out?



have you seen his picture? Go for it C_B!

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 Post subject: Re: the outro solo on "MFC"
PostPosted: Fri Jun 18, 2010 6:03 pm 
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this is probably my favorite part of Yield

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