I'm not asking anyone to convince me, but I'd like to hear some good, solid reasons as to why it's so worshipped

Big surprise that I'll jump in here Frank. Forrest Gump beating this just proves the point I've been making about the big awards for some time now...they don't mean anything.

And frankly I don't see the discussion going too much beyond the recent QT talk that we've had around here, but I will take you up on one task, which is to attempt to explain why it's so loved. I can't explain why the movie has been loved by so many people over the past decade, but I can attempt to give you my personal reasons for loving the film, which will be pretty similar to the "albums that started it all" thread over in OB.

Basically, this is the movie that "started it all" for me in a sense. That's not to say that I hadn't watched a hell of a lot of movies in my youth and didn't already love them, but this was the one that turned me to new and different types of stuff that I hadn't seen yet. You see, growing up in an extremely rural area, while the rest of the country was going nuts for this, we never got a chance to see it. As far as I'm aware, it never screened theatrically in my area. So I had to wait and wait and wait until it finally turned up at the video store and I got a crack at seeing this thing. The day finally came and frankly, I'd never seen anything like it up to that point in my life. The non-linear story, the quirky charcters, the great dialogue and just overall enegry of the film was electrifying to me. I made it a point to rent this thing again and again, showing it to everyone I possibly could to get their reaction. Some loved it, some hated it, some even thought it was too complex, and for them I felt a little sad. Back in those days, in that tiny pocket of the world, this was my movie and I knew quite a few people who thought it was strange that someone would even like it. Obviously, it doesn't belong to me any more, and never did really. I've seen it a hundred times and could tell you just about every line from the film. I actually haven't watched in quite a long time and haven't felt the urge in a while. But I keep it at the top of my favorite movies list because it's still that watershed moment for me, the same way that Nevermind was for myself and so many others with music. There are things about it that have perhaps lost their effect over time, but there's still those little bits of dialogue that I personally I identify with and you can always tell a kindred spirit when they latch on to those same bits as well. I don't know, it's just a great fucking movie. If I ever end up on that proverbial desert island, I know I'd want this one with me.

Quentin Tarantino hesitated over the choice between the character he was going to play: Jimmie or Lance. He ended up choosing Jimmie's role because he wanted to be behind the camera in Mia's overdose scene.


Quentin Tarantino originally wrote the role of Jules specifically for Samuel L. Jackson, however it was almost given to 'Paul Calderon' after a great audition. When Jackson heard this, he flew to LA and re-auditioned, getting back the part he was supposed to play. Calderon ended up with a cameo as Paul, the bartender.


The passage from the Bible that Jules has memorized was mostly made up by Quentin Tarantino and Samuel L. Jackson. The only part that's similar to what the Bible says is the part where he says, "And I will strike down upon thee with great vengeance and furious anger. And you will know My name is the Lord when I lay My vengeance upon thee." However, the parts about the righteous man and the shepherd are not real.


The parts of "Honey Bunny" and "Pumpkin" were written specifically for Amanda Plummer and Tim Roth.


Jules's character was originally written to have a gigantic afro, but a crewmember obtained a variety of afro wigs and one jheri curl wig. Quentin Tarantino had never thought about a jheri curl wig, but Samuel L. Jackson tried it on, Tarantino liked it, and it was kept.


Quentin Tarantino wrote two of the three stories before he wrote Reservoir Dogs (1992) and True Romance (1993). After the success of those films, he decided to write a third story, intending to have each segment directed by a different person.


The shot of Vincent plunging the syringe into Mia's chest was filmed by having John Travolta pull the needle out, then running the film backwards.


When Captain Koons visits the young Butch to give him his father's watch, his recollections refer to an airman named "Wynocki" who transports the watch back to safety. "Wynocki" is the name of John Garfield's character in Howard Hawks' film Air Force (1943). Hawks is one of Quentin Tarantino's favorite directors.


Wilson is the name of the fighter to whom Butch is instructed to lose. Wilson was also the name of the fighter against whom Terry Malloy took a dive in On the Waterfront (1954).


The marquee where Butch boxes advertises the following fights: "Coolidge vs Wilson" and "Vossler vs Martinez". The first is a reference to United States Presidents Calvin Coolidge and Woodrow Wilson, the second is a reference to Russell Vossler and Jerry Martinez, who are two friends of Tarantino's from when he worked in a video store. See also Crimson Tide (1995).


The book that Vincent reads is "Modesty Blaise", by 'Peter O'Donnell (I)' . In that book, a killer indulges in a Biblical rant very similar to that of Samuel L. Jackson's character.


When Vincent calls Lance on his cell phone, Lance is eating a bowl of Fruit Brute, a cereal from the older monster cereal family. Fruit Brute (which, along with Yummy Mummy, Frankenberry, Boo Berry, and Count Chocula, make up the monster cereals) was later discontinued, along with "Yummy Mummy." Quentin Tarantino has held onto a box and drops it into scenes from time to time. It appeared in Reservoir Dogs (1992), too.


Mia calls Vincent "cowboy" - John Travolta starred in Urban Cowboy (1980). Vincent calls Mia "cowgirl" in return; Uma Thurman starred in Even Cowgirls Get the Blues (1993).


The Big Kahuna burger was also eaten in the movie From Dusk Till Dawn (1996) and first appeared in Reservoir Dogs (1992).


Knoxville, Tennessee, where Butch was meeting his connection and where his great-grandfather bought the gold watch, is also Quentin Tarantino's birthplace.


The innocent bystander shot by Marsellus Wallace is the same actress pulled out of her car by Mr. Pink in Reservoir Dogs (1992).


When Butch is approaching his apartment, there is an advertisement for Jack Rabbit Slim's on the radio. An ad for "Jack Rabbit Slim's" can also be heard during the torture scene in Reservoir Dogs (1992).


Director Trademark: [Quentin Tarantino] [Red Apple cigarettes] Butch smokes "Red Apple" cigarettes. The same brand is smoked by Tim Roth's character in Four Rooms (1995).


Chronologically, the first scene in the movie has Vincent and Jules chatting in their car while on their way to do a job. The last chronological scene has Butch and Fabienne riding away from the hotel on Butch's newly acquired motorcycle (and the "last line" of the movie is therefore "Zed's dead, baby; Zed's dead." (If you count the flashback, the first scene would then be when Captain Koons (Christopher Walken) visits the young Butch and gives him the watch.)


Fabienne says, "Any time of day is a good time for pie." Alabama also says this in True Romance (1993), also written by Quentin Tarantino.


Harvey Keitel's character in this movie has the same specialized job as his character in Point of No Return (1993).


Quentin Tarantino wrote "The Wolf" character specifically for Harvey Keitel


Director Trademark: [Quentin Tarantino] [singing over music] Mia Wallace (Uma Thurman) sings and dances over the song she puts on when she comes home from Jack Rabbit Slim's with Vincent Vega (John Travolta). Butch (Bruce Willis) also sings over music, but doesn't dance since he's driving.


Daniel Day-Lewis (who incidentally shares a birthday with Uma Thurman) wanted the role of Vincent Vega, but Quentin Tarantino turned him down in favor of John Travolta.


Director Trademark: [Quentin Tarantino] [bare feet] Uma Thurman is barefoot for most of the movie.


In a cut scene Vincent tells Mia he's been fantasizing about being beaten up by Emma Peel of the Avengers. Later, in 1998, Uma Thurman did star as Emma Peel in the movie The Avengers (1998).


In "Son of a Preacher Man", the apostrophe in "door's" is missing from Mia's note. The script, however, has the note punctuated correctly.


In the screenplay, Butch is a featherweight boxer but in the film, Butch's opponent Wilson has his weight announced as "210 pounds" - inferring that Butch is a heavyweight.


The look of Uma Thurman's character Mia Wallace was modeled after actress Anna Karina who also appeared in Bande à part (1964); a favorite film of Director Quentin Tarantino


Uma Thurman originally turned down the role of Mia Wallace. Quentin Tarantino was so desperate to have her as Mia, he ended up reading her the script over the phone, finally convincing her to take on the role.


John Travolta's character, "Vincent Vega", is the brother of "Vic Vega", aka "Mr. Blonde" from Reservoir Dogs (1992).


The role of Vincent Vega was written for Michael Madsen, who played the character's brother, Vic Vega, in Reservoir Dogs (1992), but he couldn't do the film due to scheduling conflicts for another film.


Tarantino originally wanted Christopher Jones for the role of Zed.


The song that Butch listens to in the car, "Counting Flowers on the Wall" contains the line "Smoking cigarettes and watching Captain Kangeroo". Bruce Willis says this line in Die Hard: With a Vengeance (1995).


Mia Wallace's television pilot involved a team of 5 female secret agents (including a blond woman, an African-American woman, and a Japanese woman). Uma Thurman's next picture with Tarantino would be Kill Bill, where she was part of a team of 5 assassins (4 of which were female and, besides her, consisted of a blond woman, and African-American woman, and a half-Japanese-half-Chinese-American woman). The French Sophie character may have also been a part of the team of assassins, making it 5. Mia's pilot character's specialty was knives. The Bride's first kill in Kill Bill: Vol. 1 (2003) was with a knife.


The Ezekiel bible quote was taken from any early draft of From Dusk Till Dawn (1996). Harvey Keitel's character was supposed to say it; while walking backwards down the hallway facing the vampires.


The movie's line "You know what they call a Quater Pounder with Cheese in Paris?... They call it a Royale with cheese." was voted as the #81 of "The 100 Greatest Movie Lines" by Premiere in 2007.


Tarantino was quoted as saying that Butch is responsible for keying Vincent?s car.


Speculation abounds as to the nature of the mysterious glowing contents of the case:
Could it be Elvis's gold suit, seen worn by Val Kilmer (as Elvis) in True Romance (1993)?
The most persistent theory (most usually attributed to a friend of a friend who saw it posted on a message board by someone whose brother had read a report of a radio interview with Tarantino himself) is that it is Marcellus Wallace's soul. The story goes that when the Devil takes a person's soul, it is removed through the back of the head (this isn't part of any known religion, but this is what the message board posters say). When we see the back of Marcellus's head he has a Band-Aid covering the precise spot indicated by tradition for soul removal. Perhaps Marcellus sold his soul to the devil which would also explain why the combination to open the briefcase is 666.
Quentin Tarantino has said that the band-aid on the back of Marsellus Wallace's neck had nothing to do with an allusion to the Devil stealing Marsellus's soul... but that the actor Ving Rhames had a scar on the back of his neck he wanted to cover up.
Or could it be simply a 20-watt light bulb?
According to Roger Avary, who co-wrote the script with Quentin Tarantino, the original plan was to have the briefcase contain diamonds. This seemed neither exciting nor original, so Avary and Tarantino decided to have the briefcase's contents never appear on screen; this way each filmgoer could mentally "fill in the blank" with whatever struck his or her imagination as best fitting the description "so beautiful". The orange light bulb (projecting shimmering light onto the actors' faces) was a last-minute decision and added a completely unintended fantastic element.
In a radio interview with 'Howard Stern' in late 2003, Quentin Tarantino was asked by a caller the contents of the briefcase, and he answered, "It's whatever the viewer wants it to be."



Upon the films UK video rental release, some video stores gave away a pack of limited edition Pulp Fiction matches. On the back of the packet was a quote from the film "you play with matches, you get burned".


Mia Wallace's comment "An Elvis man should love this" is a reference to an earlier cut scene where Mia claims that everyone can be classified as either an "Elvis" person or a "Beatles" person. She bets Vincent that he is an "Elvis", and he confirms it.


When Vincent and Lance are attempting to give Mia the adrenaline injection, the board games "Operation" and "Life" are visible in the background.


Jimmy (Quentin Tarantino) is wearing a t-shirt bearing the logo of "Orbit", a local alternative newspaper in Metro Detroit, for which Tarantino did an interview when he was promoting Reservoir Dogs (1992). See also the WWW-links section.


The word "fuck" is used 265 times.


The show on the television behind young Butch is "Clutch Cargo" (1959).


In real life, Vincent Vega's 1964 Chevelle Malibu convertible belongs to Quentin Tarantino and was stolen during the production of the film.


In the opening sequence with Honey Bunny and Pumpkin, Jules can be heard talking about quitting "the life".


Director Trademark: [Quentin Tarantino] [long take] When Butch gets out of the Honda to retrieve his watch, we follow him around a building, through a hole in a fence until he is across the street from the apartment.


Cameo: [Steve Buscemi] as the Buddy Holly waiter in Jack Rabbit Slim's. However, as Mr. Pink in Reservoir Dogs (1992), he refused to tip waitresses.


The cab driver, Esmeralda Villalobos (Angela Jones) appeared in a 30-minute short called Curdled (1991) in which she played a character who cleaned up after murders. This makes her fascinated by the idea of murder. Quentin Tarantino saw this film and decided to include this character in Pulp Fiction (1994) but as a cabdriver.


Pam Grier auditioned for the role of Lance's wife Jody. Though she had a great audition, Quentin Tarantino decided not to cast her because he could not imagine Pam Grier getting pushed around the way the character does.


The storyline involving Mia's overdose and her revival by an injection of adrenaline into her heart is transcribed word for word from a story told in American Boy: A Profile of: Steven Prince (1978), a documentary directed by Martin Scorsese.


John Travolta has said that some of the dance moves between himself and Uma Thurman in the Jack Rabbit Slim's scene were based on Adam West's Batusi from Batman (1966).


Uma Thurman based her dancing in the Jack Rabbit Slim's dance scene on the character Duchess in The AristoCats (1970).


Samuel L. Jackson auditioned for the part of Mr. Orange in Reservoir Dogs (1992), but it went to Tim Roth. Tarantino enjoyed Jackson's work so much that he wrote the part of Jules specifically for him.


Quentin Tarantino had originally intended "My Sharona" (by The Knack) to be played during the Gimp torture sequence - but the rights had already been licensed to another film, Reality Bites (1994). On top of this, one of the members of the band had become a born again Christian, and didn't want the song to be associated with a scene of sexual violence.


The "motorcycle movie" Fabienne is watching when Butch is waking up (before he discovers that his watch is missing) is called Nam's Angels (1970). It's about the Hell's Angels fighting the Viet Cong.


The correct chronological order of the film is: Vince and Jules, The Bonnie Situation, The Diner (both parts), Jackrabbit Slims, and The Gold Watch.


There is a persistent myth that that all the clocks in the movie are set to 4:20 (although, certainly all the clocks on the wall in the pawn shop are set to 4:20). However, in at least two scenes it is obvious that this is not the case. In the "Bonnie Situation" while Jimmy, Vince and Jules are drinking coffee in the kitchen, the clock clearly reads 8:15. Secondly, when Vince and Jules go to retrieve the briefcase, it is "7:22 in the a.m.". The significance of the time 4:20 is that it is slang for smoking marijuana.


Sylvester Stallone was briefly considered for the role of Butch.


In the script, the character of Paul the bartender (played by 'Paul Calderon' ) is referred to as "English Bob" (Jules even refers to English Bob, saying "Yeah, [Winston Wolf] is about as European as fucking English Bob"), but his line "My name's Paul, and this is between y'all" apparently stuck, as he is credited as 'Paul' in the credits.


Jules' "Bad Mother Fucker" wallet actually belongs to Quentin Tarantino. The inscription on the wallet is a reference to the theme song of Shaft (1971).


The gun Vincent uses is a 1911A1 Auto Ordnance .45 ACP pistol that has been chromed and given pearl grips. Jules' gun is a Star Model B 9mm pistol that has been chromed and given pearl grips, too.


Director Trademark: [Quentin Tarantino] [trunk shot]


Director Trademark: [Quentin Tarantino] [Red Apple cigarettes] When Vincent (John Travolta) and Mia (Uma Thurman) sit down at Jack Rabbit Slims, she takes out a pack of cigarettes.


Director Trademark: [Quentin Tarantino] [long take] When Jules and Vincent step out of the elevator for their "foot massage" debate, we follow them all the way through the labyrinthine hallways to Brett's door, past Brett's to a window and finally, back to Brett's door again. All in a single take.


Director Trademark: [Quentin Tarantino] [corpse view] After Marsellus is hit by Butch's car we see the camera from Marsellus' "corpse" of the pedistrians looking down at him.


Butch (Bruce Willis) taunts Zed (Peter Greene) with the samurai sword and says, "You want that gun, don't you Zed? Go ahead and pick it up. I want you to pick it up." This is also said by Sheriff Chance (John Wayne) in Rio Bravo (1959), which, according to interviews, is one of Tarantino's favorite films.


The set for Jack Rabbit Slims was inspired by the Elvis Presley film Speedway (1968) and by Red Line 7000 (1965).


Quentin Tarantino wrote the script in Amsterdam, in a hotel room and in coffee shop ("Dutch" for hash-bar) Betty Boop. He stayed for several months, and left the video rental store "Cult Video" with an unpaid bill of about $150. This stay explains the references to Dutch culture and customs at the beginning of the movie. Also, the book version of the movie's screenplay includes some cut dialogue between Vincent and Mia - he realizes that she was "the girl in the cowboy hat" in a photo at a hash bar they both visited, the Cobra, which is right across from the Anne Frank house in Amsterdam.


The font and font coloring used for the opening title sequence were the same as used in the exploitation movie Policewomen (1974).


The movie cost $8 million to make. $5 million of which went to pay the actors' salaries.


Director Trademark: [Quentin Tarantino] [red apple cigarettes] Pumpkin also has a pack of Red Apples laying in front of him in the opening scene. The red apple and the green worm can be made out when looking closely.


The T-shirt that Jimmy gives to Vincent after they get hosed down bears the logo for the UC Santa Cruz Banana Slugs. This is not a joke. The Banana slug really is the UCSC official mascot.


The role of Butch was originally supposed to be an up and coming boxer. Matt Dillon was in talks to play the role, but never committed. Tarantino then changed the role and offered it to 'Bruce Willis (I)' , who had been disappointed at not being signed to play Vincent.


Isabella Rossellini, 'Meg Ryan' , Daryl Hannah, Joan Cusack, and Michelle Pfeiffer where all interviewed for the role of Mia Wallace. Out of all of them Tarantino said he preferred Michelle Pfeiffer the most.


Trudi (Bronagh Gallagher) can be seen wearing a T-shirt of Irish rock band The Frames. She appeared in The Commitments (1991) with Glen Hansard, the lead singer of The Frames, and they became friends. She promised him if she got a part in Pulp Fiction (1994) that she would wear a Frames t-shirt.


Cameo: [Lawrence Bender] film's producer is one of the long-haired yuppies at the coffee shop.


'Steven Martinez' (brother of chief graphic designer, Gerald Martinez) is credited with "Very Special Thanks". He painted the portrait of Mia (Uma Thurman) that hangs in Marsellus' house.


Director Trademark: [Quentin Tarantino] [feet] The cab driver, Esmarelda, does not have shoes on.


Other actors considered for the film included Daniel Day-Lewis as Vincent, Mickey Rourke, Matt Dillon and Sylvester Stallone as Butch, Michelle Pfeiffer, Daryl Hannah, Meg Ryan, Joan Cusack and Isabella Rossellini as Mia. Rosanna Arquette also auditioned for Mia, but was offered Jody instead.


The restaurant scene was filmed at the Hawthorne Grille, originally Holly's, located at 13763 Hawthorne Blvd., however the building was demolished soon after filming.


Director Trademark: [Quentin Tarantino] [red apple cigarettes] Butch smokes them.


When Mia goes to the bathroom to "powder her nose", she says, "I said goddamn, goddamn." This is a reference to the song "The Pusher" by Steppenwolf, the opening song for the film Easy Rider (1969).


When Vincent first walks into Mia's house, one of the back doors is slightly open. This was done so the camera wouldn't be seen in the reflection.


Originally Steve Buscemi was set to play Jimmie, but a schedule conflict required him to take a small cameo as the waiter Buddy Holly.


The movie that Lance is watching when Vincent arrives with overdosed Mia is the Three Stooges short, Brideless Groom (1947). Tarantino is an avid Three Stooges fan, but couldn't get the rights from Comedy III to show them in the movie. So while a Three Stooges film appears on screen ("Brideless Groom" is public domain), the Three Stooges themselves do not. Emil Sitka, the frequent Three Stooges co-star who does appear on screen, is credited as "Hold hands you lovebirds".


Tarantino originally wanted Kurt Cobain and Courtney Love to play Lance and Jody.


The dance contest scene between Vincent and Mia is an homage to a scene from Fellini's 8 1/2


In the diner when Mia orders her $5 shake, "Buddy Holly" (the waiter) asks her if she wants it "Martin and Lewis or Amos and Andy?" He is referring to two comedy duos - Martin and Lewis, two white men; Amos and Andy, two black men. Basically, he is asking her if she wants a vanilla shake or a chocolate shake. She has vanilla.


This movie contains the first product placement for a real world product of any Tarantino movie. When Esmerelda is waiting outside the arena for Butch we can clearly see 'THERMOS' on the bottom of the cup she is drinking from.


In 2007, the American Film Institute ranked this as the #94 Greatest Movie of All Time.


Mia's character on 'Fox Force 5' would have told one old joke per episode. Each episode of the 70's show "Welcome Back, Kotter" (1975), began and ended with _Gabe Kaplan_ telling his wife an old joke. _John Travolta_ 's first big role was Vinnie Barbarino on "Welcome Back, Kotter" (1975).


It reads in the script that "The Bonnie Situation" was originally supposed to be titled "Jules, Vincent, Jimmie and The Wolf".



>>> WARNING: Here Be Spoilers <<<
Trivia items below here contain information that may give away important plot points. You may not want to read any further if you've not already seen this title.


SPOILER: After Butch kills Maynard, Marsellus Wallace says that he's going to call some friends "to go to work on [Zed] with a pair of pliers and a blowtorch." In Charley Varrick (1973), a character named Maynard warns a bank manager that some mobsters "will go to work on you with a pair of pliers and a blowtorch."


SPOILER: You can see Vincent entering the bathroom at the beginning of the film, when Pumpkin and Honey Bunny are talking about robbery.


SPOILER: A scene removed from the final film involves Jules trying to consider what to do while Pumpkin and Honey Bunny rob the diner. In the scene, Jules points his gun at the bottom of the table and fires up twice, hitting Pumpkin and killing him. He then spins around and shoots Honey Bunny three times, killing her. As she falls her gun goes off and hits the Long Haired Yuppie Scum, who dies screaming on the floor. The scene then cuts back to Jules talking to Pumpkin in the diner, revealing the shootings to have happened entirely in Jules' mind.


SPOILER: Every time Vincent goes to the bathroom, something "bad" happens. Quentin Tarantino continues his tradition of incorporating aspects of the Netherlands into his films. Aside from writing the script in Amsterdam, Vincent tells his heroin dealer that "I just got back from Amsterdam. Vincent discusses Amsterdam with Jules in their opening scene. In the conversation in the Jack Rabbit Slims restaurant, Mia mentions that she goes to Amsterdam to "chill out" for a month or two every now and again. In the same restaurant, Vincent smokes Drum, which is a Dutch rolling tobacco.


SPOILER: Vincent was originally supposed to have shot Marvin twice - once accidentally in the throat, and a second to put him out of his misery. Quentin Tarantino changed it to a single bullet killing because he thought it would be funnier.


SPOILER: The book Vincent is reading on the diner's toilet is also visible when he gets shot in Butch's house. We see Vince get out of the diner with the book in his hand.


SPOILER: According to an interview with Phil LaMarr, it was he who came up with the idea of his character Marvin being shot in the face. Marvin was originally supposed to be accidentally shot in the throat and survive. Knowing that Marvin would die a slow, painful death, Vincent and Jules decide that Marvin should be shot in the head and put out of his misery. Knowing that this would make the characters unlikeable, LaMarr took his idea to Quentin Tarantino and he agreed to it.

i always find it interesting when people try to dissect this movie. there are a lot of movies like this. it's presented so well that plot doesn't have to matter.

it's about good folks, bad folks and extraordinary (but entirely realistic) situations.

This is how I feel about the movie. I love it. I watch it a lot. Know a lot of lines. If someone asked me what's it's about, it would be kind of hard for me to tell them. I like it because it's badass, and tons of fun. I'd probably just say it's about "guns, drugs, and pussy" and foot massages.