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 Post subject: Brick
PostPosted: Wed Mar 22, 2006 10:54 am 
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Has anybody heard about this yet? Its a noir-styled film that's been getting a ton of buzz recently, I believe its coming soon. The website says 3/31 but I doubt that that's a widespread release. The trailer looks great:

http://brickmovie.net/

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PostPosted: Wed Mar 22, 2006 6:24 pm 
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Yeah, I've been waiting for this. Looks pretty interesting. It's got a solid plot, let's see if the actors can pull it off.

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PostPosted: Tue Apr 25, 2006 4:38 am 
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Saw it over the weekend...meh, it was okay.

I could see it gaining a young cult following upon dvd release. A lot of the dialogue is mumbled and the rapid fire slang takes some getting used to, but it has its clever moments. I don't know, I feel like it couldve been better but I'd need to see it again to properly judge. I'd say wait for the dvd to anyone on the fence.

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PostPosted: Tue Apr 25, 2006 8:20 am 
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Yeah I've heard mixed things


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PostPosted: Tue Apr 25, 2006 4:26 pm 
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I thought the trailer looked very, very intriguing, but I could see how the film would suck. I'm curious, though.

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PostPosted: Tue Apr 25, 2006 9:12 pm 
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I want to see it. It sucks living in LA without a car, cause you know you could see every movie ever put out if you could only find the transportation.

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PostPosted: Tue Apr 25, 2006 9:20 pm 
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i'll check it out for sure

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PostPosted: Wed Aug 09, 2006 5:49 am 
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I really enjoyed it. Some of the rapid-fire dialogue got old quick (and was hard to follow), and expaining it all at the end seemed like a half-assed way to tie up the loose ends, but overall it was pretty good. I would never have predicted 3/4 of the plot twists, and the whole concept of transposing classic noir to a high-school setting was executed well. The scene in the Vice-Principal 's office was terrific.


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PostPosted: Wed Aug 09, 2006 6:09 am 
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ericd102 wrote:
The scene in the Vice-Principal 's office was terrific.


that's the scene where i finally suspended my disbelief... pun intended

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PostPosted: Sun Sep 03, 2006 1:41 pm 
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I loved it. While, yes, there needed to be major suspension of disbelief for the dialogue to work, it was very well-written and delivered flawlessly. The direction was perfect and the use of sound is remarkable. It gives the film a surreal feeling, and, in my opinion, even outdoes the innovative The Conversation. It's the most authentic film noir (technically, neo-noir) in a long, long time. It pulls it off even better than Sin City or The Man Who Wasn't There.

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PostPosted: Sun Sep 03, 2006 1:54 pm 
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Just added it to the top of my netfilx queue.

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PostPosted: Sun Sep 03, 2006 6:16 pm 
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Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

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PostPosted: Sun Sep 03, 2006 10:47 pm 
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glorified_version wrote:
Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

But who cares about story? I've found more and more as I watch films that story is quite irrelevent. It's all about the direction, dialogue, etc.

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PostPosted: Sun Sep 03, 2006 11:25 pm 
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LoathedVermin72 wrote:
glorified_version wrote:
Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

But who cares about story? I've found more and more as I watch films that story is quite irrelevent. It's all about the direction, dialogue, etc.


I get your point and I agree somewhat, but the story is the real "meat" of any film. For example, I would love Akira just for the action, music, atmosphere, etc., but the story is what really makes me keep watching it over and over again.

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PostPosted: Sun Sep 03, 2006 11:53 pm 
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Orpheus wrote:
LoathedVermin72 wrote:
glorified_version wrote:
Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

But who cares about story? I've found more and more as I watch films that story is quite irrelevent. It's all about the direction, dialogue, etc.


I get your point and I agree somewhat, but the story is the real "meat" of any film. For example, I would love Akira just for the action, music, atmosphere, etc., but the story is what really makes me keep watching it over and over again.

I guess, but I just find when I watch films that it's not the story I'm paying attention to; it's the way the film is making me feel. Like Kubrick said, "Film is, or should be, a progression of moods and feelings. The theme, the meaning, what's behind the emotion - that all comes later."

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PostPosted: Mon Sep 04, 2006 12:38 am 
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LoathedVermin72 wrote:
I guess, but I just find when I watch films that it's not the story I'm paying attention to; it's the way the film is making me feel. Like Kubrick said, "Film is, or should be, a progression of moods and feelings. The theme, the meaning, what's behind the emotion - that all comes later."

Exactly. Kubrick's films are the ones that I find my self still thinking about days after I watched them.

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PostPosted: Mon Sep 04, 2006 6:42 am 
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my film teacher has been praising this movie hardcore. i think i should see it

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PostPosted: Mon Sep 04, 2006 9:35 am 
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LoathedVermin72 wrote:
Orpheus wrote:
LoathedVermin72 wrote:
glorified_version wrote:
Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

But who cares about story? I've found more and more as I watch films that story is quite irrelevent. It's all about the direction, dialogue, etc.


I get your point and I agree somewhat, but the story is the real "meat" of any film. For example, I would love Akira just for the action, music, atmosphere, etc., but the story is what really makes me keep watching it over and over again.

I guess, but I just find when I watch films that it's not the story I'm paying attention to; it's the way the film is making me feel. Like Kubrick said, "Film is, or should be, a progression of moods and feelings. The theme, the meaning, what's behind the emotion - that all comes later."


Like I said, I get you completely. But of all Kubrick's movies, 2001 is my favorite not only because of the great atmosphere, moods , etc., but because the story is great as well. If you have a film with everything great and no story, and a film with everything great and a great story as well, isn't the latter the better movie? That's my only point.

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 Post subject:
PostPosted: Mon Sep 04, 2006 7:04 pm 
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Orpheus wrote:
LoathedVermin72 wrote:
glorified_version wrote:
Loved the direction, loved the dialogue, was bored with the story. I can't actually think of a memorable scene in the entire film.

But who cares about story? I've found more and more as I watch films that story is quite irrelevent. It's all about the direction, dialogue, etc.


I get your point and I agree somewhat, but the story is the real "meat" of any film. For example, I would love Akira just for the action, music, atmosphere, etc., but the story is what really makes me keep watching it over and over again.

I would imagine watching Akira for the plot to be a very bewildering experience.


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