Post subject: SOTM #82: Leave the hatred on the cross
Posted: Thu Mar 01, 2007 3:46 pm
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Joined: Tue Nov 30, 2004 4:02 am Posts: 44183 Location: New York Gender: Male
Comatose
Consider me an object Put me in a vacuum Free of all conditions Free of air and friction
Yea, I'll be hanging upside down. And there I will swing For all eternity
Feel it rising, yeh next stop falling Feel it rising, comatose, with no fear of falling
Consider me an abcess Leave me in my vacuum Blood on all the pistons Running my transmission
Feel it rising, yeh next stop falling Feel it rising, comatose, with no fear of falling Feel it rising, yeh next stop falling Feel it rising
High above I'll break the law, If it's illegal to be in love, Leave the hatred, on the cross
Yeh I'll be hanging upside down and here I will swing For all eternity
Feel it rising, yeh next stop falling Feel it rising, comatose with no fear of falling Feel it rising, yeh, next stop falling Feel it rising Something never thought you'd be a part of
_________________ "Better the occasional faults of a Government that lives in a spirit of charity than the consistent omissions of a Government frozen in the ice of its own indifference."--FDR
Joined: Tue Nov 30, 2004 4:02 am Posts: 44183 Location: New York Gender: Male
Musically this song is just an angry snarl from start to finish, the kind of song that they haven’t really pulled off well since Vitalogy (with the exception of Brain of J and DTE, and neither of those quite have the energy of comatose, even though DTE is a slightly better song overall). Just nonstop contempt, fury, and aggression, from the crashing beginning, to the frantic solo, all the way to the way the final few words are just spat out. I love how unhinged Eddie’s vocals are (this is probably his best performance on the album), without ever really becoming painful to listen to (see habit/lukin). This song has never once failed to leave me alive and agitated in the best sense possible.
I’ve got nothing to say lyrically that I didn’t say in my long avocado review, so I might as well just post that here. Comatose is a political song, but it’s a lot like whipping, in that it is more about a feeling than a particular issue. It picks right up on the anger felt at the end of WWS. It’s a howl directed at all that is wrong with America, which at times can be so much it defies specifics. The verses and chorus are sung from the perspective of a ‘typical’ (as if there is such a thing) American, lost in his vacuum oblivious to the air and friction of the outside world, unaware of how his actions affect everyone else. There is obvious contempt in Eddie’s voice, and given the subject matter of WWS it’s hard for there not to be. The lyric about hanging upside down attests to the ways in which our priorities and values have become inverted—the ways in which we celebrate hate and selfishness instead of love and community.
The chorus introduces the image of falling, which is a crucial part of the next three songs. Falling implies a mistake, an imperfection. We’re supposed to be standing upright—we fall when we trip, when we’re not careful about where we’re going, or when the ground around us becomes unstable. Down also implies damnation. Up is heaven, down is hell. And if we’re not careful that’s the direction America is heading in. Not hell, per se, but certainly towards disaster—see songs like DTE or the works of Daniel Quinn. But, happy in our vacuums, we have no idea the danger we’re in and no fear of it. After all, we’re Americans (or humans more generally if you want to push the Quinn angle)—problems are for other people. We can keep this up for all eternity. The consequences of our actions never come back to affect us, and if other people don’t like they should have thought of that before they decided to be born somewhere else. Nor is it even clear that, as Americans—God’s chosen people designed to erect his City on the Hill—that we can even make mistakes. Certainly nothing we can’t justify in the name of progress/freedom/democracy/right. Ultimately we are oblivious/comatose with no fear of falling/damnation. The rising could refer to Ed’s anger/awareness, or our own inflated sense of self-importance.
The second verse basically repeats the same sentiments. The blood on all the pistons/running my transmission lines seem to acknowledge that there are consequences to how we live. We’re running our engine into the ground, and taking who knows what with us. But, happy in our vacuum, it’s not our problem.
A few people have speculated that the bridge is about gay marriage. That seems possible, in the same way the album art made whipping seem to be about abortion, but I think the lyrics are meant to be more generic/universal—a prelude to the themes of Marker in the Sand. He’s talking from a perspective that’s high above, one infused with love, compassion, tolerance, and understanding instead of hate, vengeance, and judgment. Those are seductive values. They’re easier, and hate is less demanding than love. His observation that love seems illegal is a direct tie in to WWS and a transition into Marker (although Severed Hand comes first). As a society, and as individuals (since this record is about individual salvation as much as it is group salvation—conveniently they require the same thing) we’ve gotten so swept up in war and hate, are so self-absorbed, that it’s become difficult for us to love one another, and in some cases, even ourselves. When Jesus was crucified he was supposed to die for our sins, to grant us a new beginning, and until we leave the hate on that cross, he’s essentially died in vein
The last line expresses Ed’s general sense of bewilderment. How did things get like this, and since I’m an American, how did I play a part in it. What can I do to change it? The record is in part a working through of that problem (although in the end I’m not totally satisfied with the answer).
Anyway, this song is just awesome. Comatose and WWS, more than anything else, completely restored my faith in this band
5 stars.
_________________ "Better the occasional faults of a Government that lives in a spirit of charity than the consistent omissions of a Government frozen in the ice of its own indifference."--FDR
Joined: Mon Oct 18, 2004 11:36 pm Posts: 25824 Location: south jersey
i've been in love w/ this song since the first time i heard it, which may be the best live performance of it. nothing better than in your face, kick ass pearl jam. 5 stars
_________________ Feel the path of every day,... Which road you taking?,...
Joined: Tue Nov 30, 2004 4:02 am Posts: 44183 Location: New York Gender: Male
warehouse wrote:
i've been in love w/ this song since the first time i heard it, which may be the best live performance of it. nothing better than in your face, kick ass pearl jam. 5 stars
that song got a lot of shit when it debuted but I had high hopes that were not disappointed
_________________ "Better the occasional faults of a Government that lives in a spirit of charity than the consistent omissions of a Government frozen in the ice of its own indifference."--FDR
Joined: Mon Oct 18, 2004 11:36 pm Posts: 25824 Location: south jersey
stip wrote:
warehouse wrote:
i've been in love w/ this song since the first time i heard it, which may be the best live performance of it. nothing better than in your face, kick ass pearl jam. 5 stars
that song got a lot of shit when it debuted but I had high hopes that were not disappointed
i dunno why, i fuckin love it. but im a big fan of aggressive pearl jam
_________________ Feel the path of every day,... Which road you taking?,...
Joined: Mon Oct 18, 2004 3:09 pm Posts: 10839 Location: metro west, mass Gender: Male
CB is right, the chorus sucks.
This is like a mediocre version of STBC.
This was the first full song (besides Gone) that the band premiered before the release of the album. Many people, including me, thought it sucked and was only a forecast for even worse things to come. I do give the band credit for trying to put the punk back into PJ. 3 stars.
_________________ "There are two ways to enslave and conquer a nation. One is by the sword. The other is by debt." -John Adams
I gave it 4, because it does kick ass during a concert. However when you start analyzing the song you'll find that the the lyrics are really bad, with exception of the bridge maybe. the chorus is just flat out embarrassing. Pilate has a better chorus.
Joined: Mon Oct 18, 2004 3:09 pm Posts: 10839 Location: metro west, mass Gender: Male
warehouse wrote:
Sunny wrote:
CB is right, the chorus sucks. This is like a mediocre version of STBC.
i think comatose is harder hitting than stbc. stbc is kinda just a fun song to me, comatose makes me wanna get in a pit
oh for sure! i'm judging this as a song and musical quality.
as for agression, fuck yeah i pretty much start my own pit in front of my seat when this is played. Sometimes, I think I'd rather see a show in Europe or SA just for the GA.
_________________ "There are two ways to enslave and conquer a nation. One is by the sword. The other is by debt." -John Adams
Joined: Sun Oct 17, 2004 1:14 am Posts: 37778 Location: OmaGOD!!! Gender: Male
When this first premiered, I didn't like it at all. Maybe it was the poor quality of the tape that made it so I couldn't understand a word that Ed was saying, or that the music seemed somewhat disjointed. It just didn't click with me.
However, once I got a good recording on the album, and started to think about what was being said and how it was being said, this song has really grown on me. One of my favorites from the new album, and of the past few albums for that matter.
It's not a five-star song, but it's a solid 4.
_________________ Unfortunately, at the Dawning of the Age of Aquarius, the Flower Children jerked off and went back to sleep.
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